Category Archives: Volume 26 Number 3 (September 2020)

Letter from the Editors (September 2020)

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Letter from the Editors (September 2020)

By Kyle Jantzen, Ambrose University

Dear Friends,

Once again it is a pleasure to offer you our newest series of articles, reviews, and notes concerning the recent history of the churches in Germany and Europe. The beginning of the fall semester in North America and Europe has made for an especially busy season for many full-time academics, and so we are grateful for the many fine contributions of our editorial team.

Two articles headline this issue. Manfred Gailus explains the politics behind  three construction projects in Berlin–the Berlin Palace, the Garrison Church in Potsdam, and the House of One–which weave together religious, political, and nostalgic elements. Samuel Koehne highlights a series of primary sources on the Hitler Youth, which demonstrate (among other things) the deep antipathy of that movement towards Christianity.

Memorial plaque for Franz Jägerstätter, documenting his death by hanging on account of his opposition to an unjust war. By Christian Michelides – Christian Michelides, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42007683

Under the category of reviews, Kevin P. Spicer assesses Lucia Scherzberg’s new study of National Socialist priests in Austria and Germany. Victoria J. Barnett reviews Manfred Gailus’ book on Friedrich Weißler, the Jewish-Christian lawyer and member of the Confessing Church whose death was the result of his involvement in the publication of the 1936 Confessing Church memorandum to Hitler. And Lauren Faulkner Rossi reviews the critically acclaimed film A Hidden Life, by Terrence Malick, which depicts the story of Franz Jägerstätter, the Austrian farmer whose objections to the Nazi regime and its war cost him his life.

Finally, a series of notes by Heath A. Spencer, Doris L. Bergen, and Samuel Koehne describe new research on Roman Catholic voting in the late Weimar era, Nazi views on religion, the Romanian fascist cleric Liviu Stan, and the German army’s treatment of Jehovah’s Witnesses who were conscientious objectors. We have also provided a link to the English translation of the recent statement of the German Bishops Conference, “The German bishops in the World War.”

Our hope is that you find these articles, reviews, and notes to be both interesting and informative, and we wish you health and safety in the coming season.

On behalf of the editorial team,

Kyle Jantzen, Ambrose University

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Fierce Culture Wars Over Three Construction Projects in the German Capital Region

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Fierce Culture Wars Over Three Construction Projects in the German Capital Region

By Manfred Gailus, Technical University of Berlin; translated by Kyle Jantzen, Ambrose University

Dr. Manfred Gailus is an expert on the history of the Berlin churches during the Nazi era and regularly writes about the ongoing impact of that history on the current religious, ecclesiastical, and political scene in the German capital, where he lives and works.

Three historically significant architectural projects in the Berlin-Brandenburg capital region have been the subject of heated public disputes for years. Unmistakenly restorative and in part explicitly religious-political, they exemplify a problematic cultural policy. In their origins, all three projects exhibit common or similar structural features, indicating that this concerns more than simple and singular architectural reconstruction projects. All three construction projects were initially announced as private or small-group campaigns financed by donations, but were unable to raise the necessary financial resources for realization. The protagonists then proceeded to appeal to public bodies (the Federal Republic of Germany, the Berlin Senate as state government, the Evangelical Church in Germany (EKD), the Evangelical Church Berlin-Brandenburg-Silesian Upper Lusatia (EKBO)), effectively forcing these state and church bodies to help bring these lofty project ideas to fruition by massive financial grants. In all three cases, in fact, the project implementation only got off the ground through subsidies from public and church funds (tax money, church tax money). In all three projects, the same or similar interwoven networks of denominational and political figures played and still play an essential role. In addition, partly anonymous donors (private donors, associations, etc.) can buy their way into the design of the emerging buildings through large donations and thus write their private wishes, preferences, and motives into the public space. Anyone who has money can “immortalize” themselves here. Those who don’t are unlucky.

1) Reconstruction of the Berlin Palace

Idea: Once again, the German capital should have a striking architectural symbol in the city center. And in the twenty-first century the new symbol will now become the old one—the historic Hohenzollern Palace. Of course, today it will be filled with different spiritual contents than the lost Prussian monarchic divine grace. The building is now in the city center: on the outside, predominantly heroic Baroque Prussia; on the inside, world culture is to be presented under the Humboldt Forum label. The state provided the financing and contributed around 500 million euros. About 100 million was financed through donations and private “purchases” for the building. The organization of the project is run by a foundation and a development circle that is primarily responsible for fundraising. In these circles, much of old Prussia has been revived—nostalgic feelings: We are getting our old castle back! The main actors in these networks include: Monika Grütters, an avowed Catholic of the ruling CDU party, in her capacity as Minister of State for Culture; Agricultural machinery dealer and first project initiator Wilhelm von Boddien, as managing director of the supporters’ association; the Protestant theologian Richard Schröder from Humboldt University; and recently, also the General Director of the Humboldt Forum, Hartmut Dorgerloh.

There were quite a few public controversies in the course of the reconstruction process. The most glaring unreasonable demand recently was: a gold-plated cross on the dome above the main entrance and a slogan mounted on the dome taken from two biblical passages (Acts 4:12 and Philippians 2:10): There is no other salvation, and no other name given to men, except the name of Jesus, to the glory of God the Father. That at the name of Jesus all should bow down on their knees who are in heaven and on earth and under the earth. In the spirit of throne and altar, Prussian King Friedrich Wilhelm IV had this slogan installed in 1848, the year of the revolution, instrumentalizing these words for political purposes. This was already a provocation for the Liberals and Democrats of 1848. In the end, the king crushed the democratic revolution of 1848-49 with Prussian soldiers. The golden “Reichsapfel” (orb) at the foot of the gold cross now features a donor dedication from “Otto-Versand Hamburg”. It reads: “In memory of my husband Werner A. Otto 1909-2011. Inga Maren Otto.” The widow of the founder of the mail-order company and current patron financed the gold cross with a private donation of one million euros.

2) Garrison Church, Potsdam

The idea: Resurrection of the former Prussian military church (destroyed by the British Royal Air Force in April 1945) as the dominant urban structure of the Brandenburg state capital Potsdam. The principle actors here presumably thought: A church lighthouse is to be built here for missionary work in the East, which became “godless” in the time of the GDR. The entire project would cost well over 100 million euros. The amount raised for the reconstruction project remained modest—not enough to rebuild anything. In the meantime, people have to content themselves with only rebuilding the church tower, which is now under construction. This alone will cost well over 40 million euros. The project organizers were unable to raise even this sum from donations alone. The church tower is now mainly financed from grants from the Federal Republic and grants (loans) from the EKBO and EKD. The organization of the project is in the hands of a “Garrison Church Foundation” and a circle of friends who, like the palace, run the fundraising campaign. Relevant networks are: a church group around former bishop Wolfgang Huber, parts of the regional church (EKBO), and supporters from the EKD. It is currently unclear whether the project can be fully implemented. The ongoing conflicts over the building have divided the citizens of Potsdam. The current situation seems to be a mess. The US star architect Daniel Libeskind recently volunteered and announced that he will be offering proposals to resolve the architectural dispute.

For the general public, the most unreasonable demands are: a Prussian throne-and-altar nostalgia stimulated by the project, and the tendency of the builders to engage in historical falsification and historical revisionism. The steeple with the Prussian eagle, which has already been restored according to the historical model, is currently located next to the tower in a protective metal cage. The hungry Prussian eagle would like to learn to fly again, should it find its way to the top of the tower anytime soon.

Note: The opposition movement, to which the Martin Niemöller Foundation belongs, has recently installed a website “Lernort-Garnisonkirche.de” on the Internet, which provides comprehensive information on the historical context of this controversial Prussian-German site of remembrance.

3) “House of One,” Central Berlin

The idea: In the center of Berlin, on the site of the former St. Peter’s Church, which was destroyed in the war, a “house of three religions” is to be built to support fellowship among the three Abrahamic world religions. The aim is an inter-religious dialogue in the spirit of Lessing’s ring parable (“Nathan the Wise”). Last but not least, it should be an ecclesiastical “reparation” for the undoubtedly grave “sins” of the Protestant Church during the Nazi era. The initiator is Pastor Gregor Hohberg from St. Mary’s Church (St. Marienkirche) in Berlin, who comes from a GDR parsonage and has been running this project with some success for almost twenty years. Here, too, international donations were to have made the project of 40-50 million euros possible. The donations were sparse. Here again, public donors stepped in: the Federal Republic and the Berlin state government each gave 10 million, in addition to various grants from the EKBO, and from the beginning the project was supported by the strong commitment of church staff. The relevant networks come from within the church: St. Mary’s in the center of Berlin, several church staff members, and various prominent supporters from the cultural scene. The current protagonists include EKBO Bishop Christian Stäblein and the pastor and project “inventor” Hohberg; Rabbi Andreas Nachama (formerly director of the Berlin Topography of Terror Foundation) has also been involved for several years.

Here, too, there are provocative aspects that have aroused criticism for years, particularly regarding the international financial contributions to the project coming from the Qatar Foundation International as well as from controversial groups like the Gülen movement. Indeed, one leading German sponsor withdrew support for the House of One on account of its connection with Gülen. Another striking aspect of the activity of the builders is the denial of the prehistory, because here they are building on the foundations of the former St. Peter’s Church in central Berlin. Berlin’s top Nazi pastor and provost Walter Hoff worked at this church from 1936 to 1945. According to his own admission in 1943, Hoff was involved in Holocaust campaigns during the war in the East. As a potential war criminal, he was never seriously threatened for prosecution for this, but rather was reinstated into church ministry after a period of suspension. The builders of the “House of One” have persistently refused to come to terms with this history since about 2012-13.

*

The obvious parallels between these three architectural projects must provoke objections. It corresponds to the political spirit of the grand coalition, in which the CDU sets the course and the SPD fails and keeps its mouth shut. Social Democrats have often been connected to these projects through networks of connection—people like the (former) Prime Ministers of Brandenburg, Manfred Stolpe and Matthias Platzeck, in Potsdam; Federal President Frank-Walter Steinmeier (he has assumed the patronage of the Potsdam project); the Governing Mayor of Berlin, Michael Müller; former Bundestag President Wolfgang Thierse; and university theologian Richard Schröder, among others. The leading newspaper in Berlin (Der Tagesspiegel) is also remarkably cautiously neutral in its reporting. Its motive, presumably: just don’t stir up any “culture wars” (“Kulturkämpfe “) in the German capital, a place so critical of religion. Parts of the regional church (EKBO) see themselves wonderfully on the offensive with these projects. The cross and Prussian eagle soon over Potsdam again, and now the cross over the atheistic capital Berlin again too. In short: there is much cultural and religious-political restoration on the advance, while little sustained or effective outcry from a critical public can be heard. And in the background behind these seemingly harmless architectural projects, all sorts of networks nostalgic for the old Prussia, friends, and political circles of the New Right gather. They see their chance in these architectural projects and are certainly waiting for their hour to come soon.

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The Nazis and Religion: Digital Visual Resources for Research and Teaching

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

The Nazis and Religion: Digital Visual Resources for Research and Teaching

By Samuel Koehne, Trinity Grammar School

Given the continuing interruption that COVID-19 poses around the world, this review considers three readily available resources on the Hitler Youth that are either digitalized or available in digital format from the following institutions:

Each of these provides access to materials from film strips in the form of slides (Bildbänder) that were sent out by the Hitler Youth to ‘explain’ certain topics and propagandize for the Nazis. Although not commonly used in the literature, these are helpful for both research and teaching. As they were produced by the Amt der weltanschauulichen Schulung der Hitlerjugend (Division for Ideological Education of the Hitler Youth) they may also be particularly useful for university students – they are readily available, they are quite striking visual sources, and they effectively summarize key topics in Nazism (including Nazi views on religion). In addition to this, they are useful as official productions of the Nazi state in the 1930s that were aimed at the youth, and because some of them do not require German – for example, the USHMM and PLU slides and booklets have English translations or captions of the German text. Not least, students may very readily understand these Bildbänder, given they were essentially the ‘PowerPoints’ of their day. As a result, it is well worth bringing these resources to the attention of scholars more generally, as a potential digital resource.

The slide-shows produced by the Hitler Youth often had instructional booklets that allowed those screening the materials to use this as (effectively) a kind of introduction and script when showing the films, in order to both create a consistent message and minimize the extra work that would be required by any Hitler Youth leader who was using this for ‘ideological instruction.’ Both the German Bild-Archiv and Pacific Lutheran University Archives and Special Collections still have many of the original script booklets, but they are not extant for those in the USHMM.[1]

General contents

Many of the Bildbänder were focused on the military and war, including one curious slide-show (available through the PLU) that dealt with the Condor Legion in the Spanish Civil War, and another that depicted the English as a state that was seeking world domination.[2] The latter (Englands Griff nach der Welt) begins with an image of a clawed hand seizing the world, an image normally used by the Nazis to depict the Jews, but here used to portray England. The slide-show itself argued England had sought to control the entire world through its empire, that they had ‘poisoned the Chinese people’ through opium, and – a particularly interesting aspect for any scholar of Nazism – they demonized the English for the following: ‘Their troops exterminated Australian aborigines, plundered the rich land of the Boers and dragged women and children into concentration camps.’ The accompanying booklet appears to indicate that this was produced just before World War II. There is a terrible irony in the ways that the slide-show depicted both concentration camps under the British – with a drawing of people desperately rushing the fences while guards watch them unconcerned – and declared the ‘bloody suffering’ of British rule was due to ‘shameless violence’ and ruling through ‘brutality and force.’ Given that we now associate these very things with Nazi Germany, it is curious that they also argued the ‘High-Church of England’ gave its ‘blessing’ to such violence, an interesting point of comparison to the ways in which some Christian groups and churches (like the German Christians) comparably ‘blessed’ the Nazis and their ideology. Much of the remainder of this slide-show argued that Jews controlled England, and focused on the concept of Lebensraum. Other slide-shows contained advice to the youth in serving the nation through being physically fit, with one (‘You have the duty to be healthy’) containing such basic advice as brushing one’s teeth or washing regularly, alongside warnings against smoking and drinking alcohol.[3]  Michael Buddrus points out that the range of materials offered in the full series ranged from the Treaty of Versailles to the rebuilding of the German army, colonies to Erbkranker Nachwuchs, Hereditarily diseased offspring.’[4] Many of them contain a core Nazi message, such as a slide-show that was a series of pleasant images of nature on ‘The Natural World’ (Lebendige Welt) but contained in the script such messages as these: ‘Life is struggle (Kampf), and victory is its validation.’ The same slide-show began with a statement by Hans Schemm that identified God simply as ‘nature’: ‘National Socialism at its most fundamental is nothing other, than a wonderful Confession to the organic, to growth, to comply together [presumably to ‘laws of nature’], and at the same time a Confession to God’ (Der Nationalsozialismus ist im Grundprinzip nichts anderes, als ein wundervolles Bekenntnis zum Organischen, zum Wachsen, zum Sichzusammenfügen und zu gleicher Zeit ein Bekenntnis zu Gott).[5]

Race and Antisemitism

This is not to say that the ideological films avoided the topics of antisemitism or eugenics, and one of the core collections in the United States Holocaust Memorial Museum is entitled Deutschland überwindet das Judentum, ‘Germany overcomes Jewry.’ The notion of ‘race’ was writ large in the films sent to Hitler Youth on ‘overcoming Jewry,’ with the first slide quoting Hitler: ‘Jewry was always a people [Volk] with particular racial characteristics and never a religion. The Jew is and remains a parasite [Schmarotzer]. Where he appears, the host-nation dies.’ The series went on to very clearly outline the Nazi perspective that Jews were to be attacked and removed from society as a ‘foreign race’ – although Jews were also depicted as a ‘bastard’ race. The slide-show for the Hitler Youth argued not only that Jews did not have the rights of citizenship in the Middle Ages and were forced to live in ghettoes, but directly argued that they had only received the same rights as ‘state-citizens of German blood’ (die deutschblütigen Staatsbürger) through the French Revolution. It repeated many of the stereotypes that the Nazis had used to characterise ‘Jewry’ from the very foundation of the German Workers’ Party, including the notions that Jews ran all money-markets, were the major bankers of the world, controlled literature, film, and the press. It also contained Hitler’s notion that Jews were incapable of culture: ‘The Jew possesses no culture-creating ability.’ As so often occurred in Nazi propaganda, there was a conflation of conspiratorial concepts, with freemasonry and Marxism being viewed as merely ‘tools in the fight for political power’ in the Bildband. The slide-show ended with the notion that ‘Adolf Hitler with his [Nazi] movement broke the Jewish domination’ through quoting the Nazi Party Programme, Point 4: ‘Only someone who is a Volk-comrade can be a citizen. A Volk-comrade can only be someone of German blood, regardless of confession. No Jew therefore can be a Volk-comrade.’ The Nuremberg Race Laws were also quoted, to the effect that a ‘citizen of the Reich can only be a state-citizen of German or racially-related blood,’ going on to note specific measures against Jews as public officials, authors, and against intermarriage, ‘[f]or the protection of German blood from foreign-racial intermixture’ – with a chart demonstrating who might ‘count’ as being of ‘German blood.’

The Bible and the Church

In terms of the topic of religion, at least two of the productions in the Bildbänder demonstrate that Christianity was viewed as negative because it was believed to somehow denigrate the ‘Germanic race,’ and any such supposed attack on ‘race’ was a cardinal sin in National Socialism. While this extended (as Burleigh and Wippermann identified) to ‘the exclusion and extermination of all those deemed to be “alien,” “hereditarily ill” or “asocial”’ it also appears to have been used in the Hitler Youth educational films to argue the ‘alien’ nature of Christianity.[6]  While ‘Germany overcomes Jewry’ was intended to promote racial concepts of blood and to establish the supposed enmity the Nazis believed existed between ‘Aryans’ and ‘Jews,’ the purpose of the slide-show ‘5000 Years of German Culture’ (5000 Jahre Germanentum) was intended to create pride in German history and opposition to the church.

In a booklet that came along with the film, it was clear that this was not only designed to create a sense of ‘Germanic’ superiority but to specifically attack the Catholic Church. The instructions – I have only been able to source a screenshot of the first pages – began with a comment on the ‘Church and German pre-history’ (Kirche und deutsche Vorgeschichte). The very first lines indicated the view of the church: ‘Two heavy shackles (Fesseln) have formerly hindered the wider promotion in the Volk of the findings from research into ancient German history: the lie of the barbarism of our forefathers and the Jewish teaching of the creation of the world, as it is found in the Bible.’ The blame for the former was placed solidly on ‘the church,’ which was accused of having created a ‘lie of the barbarism of the Germanic tribes (Germanen)’ as a ‘wild people’ that had only gained ‘Roman culture’ originally ‘through the missionaries of the church.’ The notion appears to have been part and parcel of the broader concept in Nazism – promote by various leaders, including Hitler – that the Germans, as ‘Aryans,’ were supposedly already creative and constructive as a ‘race,’ prior to their conversion to Christianity. For example, Hitler argued that ‘Aryans’ were the only ‘race’ to be able to create cultures, community or society in Mein Kampf.[7] In his view – as for many other leading Nazis – Christianity therefore could be seen as essentially false for promoting religion over race, for portraying Jesus Christ as the sacrificial lamb or for ‘weakening’ racial ideology through such core orthodox Christian notions as original sin. By contrast, Hitler argued variously that ‘God’s work’ was race – ‘in that I defend myself against the Jew, I am fighting for the work of the Lord’ – that Jesus Christ was a violent antisemite – ‘what today is a blackjack was earlier a whip’ [referring to Matthew 21] – and that ‘sin against blood and race is the original sin of this world.’[8]

Yet there was also a more ‘hidden’ critique of Christianity in such statements, as was identified by Hans F.K. Günther, the so-called ‘Race Pope,’ who argued that ‘pure-blooded ancient Germans were fundamentally capable, fundamentally good, and not originally sinful.’[9] This identified the fact that orthodox Christianity, by its very insistence on sin, argued that people were not perfect. Concomitant with this, the introduction of Christianity and the conversion of the German peoples was seen as a positive change and an advancement in Germany. For the Nazis, the ‘Aryans’ were supposedly already perfect, cultured and advanced, so that the claim that the Germanic peoples were not ‘civilized’ was seen as opposing this racial world-view. ‘5000 Years of German Culture’ encapsulated this, by arguing that the ‘lie promoted by the Catholic Church’ was that ‘the ancient Germanic peoples [Germanen] had only adopted agriculture, animal husbandry, horticulture, and all artisanal work and art from the Romans and monks.’ The purpose of the slide-show then was to show that this was incorrect, and that the Germanic tribes had possessed all of these for thousands of years. In another comparable ‘educational film for the Hitler Youth’ – ‘So lived our Forefathers’ (So lebten unserer Vorfahren) – the primary issue taken with such concepts was that the Hitler Youth leadership saw it as promoting a ‘completely false’ notion of ‘our forefathers’ that did not fit with the Nazi notion of a ‘superior race.’ As a result, it was argued that to see Germans as barbarians ‘placed the Germanic tribes on the same level as the uncultured Negro [kulturloser Negerstamm].’ This is an interesting form of ‘cultural’ attack on the churches – it did not attack religion per se, but attacked the churches as institutions for daring to claim that the Germanen were ever anything but perfect.  In a sense, the notion of thousands of years of German culture – 5000 years in 5000 Jahre Germanentum or up to 7000 years in So lebten unserer Vorfahren – indicated a kind of cultural cringe. In ‘5000 Years of German Culture’ one slide quoted Hitler to the effect that Germans should not be ‘ashamed’ of their ‘forefathers,’ but take pride in their ancestors, just as the Italians, Greeks, or British did for their ancestors. The church was clearly attacked for portraying the Germanic tribes as pagan, and the ‘cardinal sin’ of denigrating race was directly identified in one of the final slides of ‘5000 Years of German Culture,’ quoting Hans Schemm: ‘Whoever claims, that the Germanic tribes were uncultured pagans, falsifies history and commits a crime against German blood.’ The Catholic Church was seen as committing precisely this ‘crime.’

What is more interesting is that the Hitler Youth were being directly encouraged to place the Bible in direct opposition to ‘Research’ and to see the Bible itself as fundamentally opposed to National Socialism. This was very clearly outlined in one of the earliest slides of 5000 Jahre Germanentum, which argued that ‘Research’ led to ‘National Socialism’ while ‘the Bible’ led to the ‘Jewish International’:

Research Bible
Time of the prehistoric peoples [Urmenschen] 300,000 to 5000 before the turning-point of the age [vor Zeitwende]

 

Germanic period 5000 v.Ztw – 800 n.Ztw.

 

German History 800 – 1933

 

National Socialism

????

 

Creation of the World 4000 BC

 

10 Commandments of Moses 1300 BC

 

Christ’s Birth

 

Diaspora of the Jews

 

Jewish International

Unfortunately the instructional script for this slide is missing, but the overall concept was clear. Curiously enough, the Nazi version of events to the left did not even make use of Christ as a point of reference, while positioning the Bible entirely as ‘Jewish.’ The use of ‘vor Zeitwende’ rather than ‘vor Christus’ was partly explained, however, by the concept that Germans should not be seeking their culture outside of a fairly narrowly defined part of the world – and that this region (because of its connection to ‘race’) thereby became sacralized. In this sense, one entire slide simply asked ‘Where is our Holy Land?’ and answered it promptly: ‘North Germany. The original homeland of the Germanic tribes is our Holy Land.’ The concept of Germans as ‘culture creators’ then followed, with the claim that the ‘most ancient farmhouse of the earth’ was the Germanic long-house, and that both ‘ploughs and wagons’ were ‘early Germanic discoveries.’ Using examples of stone weapons and early German pottery, the continual theme was that Germanic tribes had been advanced, sophisticated and possessed a ‘high culture’ (Hochkultur) that supposedly derived from their ‘race.’ For that matter, a parallel slide-show on the ‘German impact in the East’ (Deutsche Leistung im Osten) in the USHMM argued that the ‘Germanic peoples created the foundations of European culture,’ which were then meant to have been transported to Eastern Europe by Germans. One of these was supposedly the ‘Germanic sacred symbol’ (Heilszeichen) of the swastika, as indicated by swastikas marked out on an old barn. In terms of culture, the invasions of Rome were promoted as a positive impact on the Roman Empire, seen as ‘rotting from within.’

It is here that ‘5000 Years of German Culture’ overlapped with the promotion of paganism as a kind of indication of Germanic spirituality, as the slide-show not only showed advances in materials and tools, from stone to bronze, but argued that the burial practices of the Germanic peoples showed a fine sense of religiosity, whether these involved burial or cremation. While showing artists’ recreations of the interior of long-houses, the slide-show noted that such ‘halls [of the German peoples] rang with the heroic songs of the Edda’ and it introduced instances of the swastika on weapons as an emblem. All of this appears to have led to the central identification of the swastika as apparently something both connected to being ‘godly’ (göttliches) and as a depiction of the sun. Unfortunately the slide in the USHMM that contains this information is damaged, but I suspect that it refers both to the Hakenkreuz and Sonne, from the text that remains. This would bear further investigation, but the following slide certainly continued to discuss the swastika as a symbol and the early German notions of the sun-wheel.

One fascinating omission in ‘5000 Years of German Culture’ is that it made no positive mention of Christianity or showed any indications of the impact of Christian faith on Germany. This ‘silence’ was significant, the more so given that Christianity was still the dominant religion in Germany at the time. Instead, all aspects of the slide-show focused on the achievements of Germans before Christianity. It is clear this was not accidental, as the slide-show from the same series for Christmas (Deutsche Weihnachten) continually emphasized that the Nazi Party intended to celebrate this as the pagan festival of solstice, not as a Christian festival.[10] It is remarkable quite how open both of these slide-shows (‘5000 years of German Culture,’ ‘German Christmas’) were in terms of the way that they clearly and directly argued that the Nazi Party was focused on ancient Germanic notions, including religion. Scholars have already identified that the Nazis from early on celebrated Christmas as the Germanic ‘Yule’ or winter solstice festival.[11]  The Hitler Youth slide-show from the late 1930s linked directly to this by seeking to explain all aspects of Christmas in Germany as a kind of expression of the ‘racial soul’ in which original ‘markers’ or symbols of Germanic-pagan life were absorbed into the modern tradition. As Perry has pointed out, this was part and parcel of the Nazis attempting to ‘eliminate altogether’ the ‘Christian aspects of the holiday.’ Certainly the Hitler Youth slide-show (held by PLU) argued that Christmas was to be celebrated in the pagan form of the festival, not as a celebration of the birth of Jesus Christ.[12]

The ‘German Christmas’

The very introduction of the ‘German Christmas’ presented it as a time of anticipation, home, and baking. When children were mentioned as gathering around ‘the mother’ at twilight for ‘the most beautiful time’ of the day, it was to hear ‘fairy-tales’ and stories from ‘our sagas.’ This was linked to the main theme of the slide-show, that Christmas should be celebrated in the manner of ‘our forefathers’ who were argued to have ‘celebrated Christmas [Weihnachten] as the festival of the light rising again and the renewal of life’ (Unsere Vorfahren feierten Weihnachten als Fest des wieder aufsteigenden Lichtes und der Erneuerung des Lebens). Drawing on ‘history and sagas’ the instruction guide advised that the celebration of winter solstice was based on the hope for ‘new-born light,’ ‘the hope for the reawakening of life in nature [after winter], for warmth and the sun,’ that it was a time of ‘thinking of the dead’ and that (in their view) small trees were placed ‘at the grave and decorated with lights.’ These were seen as the traditions of the German people that has been: ‘reinterpreted and used for the form of a Christian festival. In place of the old Germanic forms came the saints of the Christian church.’

The instructional guide – available through PLU – was clear as to how the Nazis were reverting to the earlier tradition: ‘Today we reflect again on our old, original form, on that, which our forefathers passed down to us, and we wish to again celebrate Christmas as the festival of the returning light and the renewal of life [my emphasis].’ In ensuring that the message of returning to a pagan festival was clear, the slides identified the same point repeatedly: ‘Our forefathers celebrated Christmas as the festival of the light rising again and the renewal of life.’ It argued that the Christmas tree itself was a ‘symbol of life,’ but that it – like many of the ‘existing traditions of the homeland’ – had been used by ‘the church’ to create the ‘festival of the birth of Christ.’ In the slide-show, these were explained variously as ‘[t]he most beautiful symbol life, mother and child, becoming ‘Mary and the Christ-child,’ while ‘Frau Holle became the decorative angel’ and ‘St Nicholas took the place of Odin [Wodan].’ The last two of these are particularly striking, as they took up the notion that older Germanic gods had continued as traditions, but simply been ‘converted’ into new Christian forms. Frau Holle (sometimes also Frau Holda) had been perceived as ‘a benevolent goddess of German antiquity’ since Jacob Grimm had argued this in the nineteenth century, though he believed that ‘folk tales which are common to both Frau Holda and the Virgin Mary’ had been ‘originally’ about Holda, then ‘as a result of Christian influence she was debased and replaced by Mary.’[13] While other scholars later disagreed, this appears to be the interpretation offered by the Nazi Party, although obviously showing Frau Holle as becoming the angel on the tree, rather than Mary. With images showing Hitler Youth, the slide-show repeated that the Nazis did not aim to celebrate Christmas as a Christian festival of any kind, but as a ‘return to the old German form: as the reappearance of the light, and the renewal of life.’

In conclusion, then, these sources may serve as a useful point of either research for students or as ‘summaries’ for particular topics in teaching. In any case, they serve as a reminder that the Nazis were quite adept at using different media to attempt to communicate their ideas. Like their use of film, the Bildbänder appear to have been designed to create a direct, simplified message so as to communicate the more effectively with youth. Given this, what they were communicating by the 1930s about religion is rather striking.

Notes:

[1] Enormous thanks are owed to Dr. Napp of the Deutsches Bild-Archiv and Anna Trammell of the Pacific Lutheran University Archives and Special Collections, for all their assistance.

[2] See Folders 1.18, Englands Griff nach der Welt; 1.22, Legion Condor; from the Bildband für die Schulung in der Hitler-Jugend Records OPVARCH6.4.3, Pacific Lutheran University Archives and Special Collections.

[3] Folder 1.4, Du hast die Pflicht, gesund zu sein, from the Bildband für die Schulung in der Hitler-Jugend Records OPVARCH6.4.3, Pacific Lutheran University Archives and Special Collections.

[4] Michael Buddrus, Totale Erziehung für den totalen Krieg: Hitlerjugend und nationalsozialistische Jugendpolitik (München: K.G.Saur, 2003), 64n.21.

[5] Folder 1.11, Lebendige Welt, from the Bildband für die Schulung in der Hitler-Jugend Records OPVARCH6.4.3, Pacific Lutheran University Archives and Special Collections.

[6] Michael Burleigh and Wolfgang Wippermann, The Racial State (Cambridge: CUP, 1991), 304-7.

[7] Adolf Hitler, Mein Kampf (München: Franz Eher/Zentralverlag der NSDAP, 1936),

311-62.

[8] Respectively: Hitler, Mein Kampf, trans. Ralph Manheim (London: Pimlico, 2004), 60; Speech, 2 November 1922, Hitler, Sämtliche Aufzeichnungen: 1905–1924, ed. Eberhard Jäckel and Axel Kuhn (Stuttgart: Deutsche Verlags-Anstalt, 1980), 720; Hitler, Mein Kampf (München: Franz Eher/Zentralverlag der NSDAP, 1936), 272, 449.

[9] Hans F. K. Günther, Rassenkunde des deutschen Volkes (München: J.F. Lehmann, 1922), 398–99.

[10] See Folder 1.10, Deutsche Weihnachten, from the Bildband für die Schulung in der Hitler-Jugend Records OPVARCH6.4.3, Pacific Lutheran University Archives and Special Collections.

[11] Joe Perry, ‘Nazifying Christmas: Political Culture and Popular Celebration in the Third Reich,’ Central European History 38 (2005): 572–605; Samuel Koehne, ‘Were the National Socialists a Völkisch Party? Paganism, Christianity, and the Nazi Christmas,’ Central European History 47 (2014): 760–90.

[12] All remaining materials refer to the Bildband and instructional booklet held in Folder 1.10, Deutsche Weihnachten, from the Bildband für die Schulung in der Hitler-Jugend Records OPVARCH6.4.3, Pacific Lutheran University Archives and Special Collections.

[13] Edgar List, ‘Is Frau Holda the Virgin Mary?’, The German Quarterly, 29, no.2 (1958): 80–4, here 80.

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Review of Lucia Scherzberg, Zwischen Partei und Kirche: Nationalsozialistische Priester in Österreich und Deutschland (1938-1944)

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Review of Lucia Scherzberg, Zwischen Partei und Kirche: Nationalsozialistische Priester in Österreich und Deutschland (1938-1944), Schriftreihe “Religion und Moderne” Band 20 (Frankfurt am Main: Campus Verlag, 2020). 645 pages, 49,00,- €, (44,99,- € E-Book), ISBN: 9783593444185.

By Kevin P. Spicer, Stonehill College

This review was originally published in theologie.geschichte and is reproduced here with the kind permission of the publisher. The original review is available here: http://universaar.uni-saarland.de/journals/index.php/tg/article/view/1154/1211.

In Zwischen Partei und Kirche, Lucia Scherzberg, professor of systematic theology at Saarland University and co-editor of Theologie.Geschichte, studies a relatively small group of Catholic priests and select laity from Germany and Austria who actively promoted a positive relationship between the National Socialist state and the Catholic Church. In the book’s introduction, among many questions, she asks, “Were they a few crazy fanatics? Were the members isolated or did they find their support in the rest of the clergy?” and “How much did the priests differ in their convictions and actions from the rest of the leadership of the Catholic Church?” (14). Scherzberg finds that though they were fanatical in their support for National Socialism, these Catholic clerics and laity were far from deranged. Rather, they were intelligent, intensely calculating, and fully cognizant of their actions in support of Hitler and the Nazi government and party. Yet, as Scherzberg reveals, at times, their outlook was not always exceptional when compared with some of their fellow clergymen. Still, they made the ill-advised mistake of imperiously bucking the Church’s hierarchical system by assuming roles and tasks traditionally reserved for the Church’s episcopate, and thereby became persona non grata in their dioceses.

As I have shown in Hitler’s Priests: Catholic Clergy and National Socialism, there were approximately one-hundred-fifty “brown priests” who publicly supported and aligned themselves with National Socialism.[1] In my more broadly based work, I devoted a chapter to examining the National Socialist Priests’ Group (NS-Priests) studied by Scherzberg. By contrast, Scherzberg spent years researching the NS-Priests’ personalities, tracking down minute details, and uncovering extensive networks between and among them. Her research deepens our knowledge of the complexity of church-state relations under National Socialism and builds upon previous works such as Hitler’s Priests. Additionally, the pioneering studies of the late contemporary witness Franz Loidl, professor of church history at the Catholic-Theological Faculty of the University of Vienna, provided Scherzberg with a basic introduction to the NS-Priests that included vital primary documents, though the study was limited in scope and often apologetic in analysis.[2] Josef Lettl’s brief but impressive Diplomarbeit (Master’s Thesis), Arbeitsgemeinschaft für den religösion Frieden 1938 (Association for Religious Peace 1938), offered a general introduction to the initial but short-lived public organization of the NS-Priests.[3] More recently, in Hitlers Jünger und Gottes Hirten (Hitler’s Disciples and God’s Shepherds), Eva Maria Kaiser examined a few of the leading NS-Priests in her study of the Austrian bishops’ post-war advocacy for former National Socialists.[4] In the end, Scherzberg’s study is authoritative and will become a standard work.

Scherzberg uses the 1938 Anschluss to divide her work into two parts that contain headings but without chapter numbers. In the first part, Scherzberg identifies the original members of the Arbeitsgemeinschaft für den religiösen Frieden (AGF), the initial rendering of the NS-Priests that became public after the March 1938 Anschluss. The AGF consisted of both lay and ordained Catholics, primarily under the leadership of three individuals: Johann Pircher, a former religious of the Deutsch-Orden who had incardinated into the Vienna archdiocese in 1921 and joined the NSDAP in 1933; Wilhelm van den Bergh, a former Capuchin friar from the Netherlands who like Pircher had incardinated into the Vienna archdiocese in 1929; and Karl Pischtiak, a lay Catholic, National Socialist, and SA-Sturmbannführer who had ties with Josef Bürckel, Reichskommissar für die Wiedervereinigung Österreichs mit dem Reich (Reich Commissioner for the Reunification of Austria with the Reich;1938-1939) and Reichsstatthalter and Gauleiter of Vienna (Reich Governor and NSDAP District Leader; 1939-1940). According to Scherzberg, the AGF developed from the remnants of several Catholic pro-Anschluss groups. The same individuals had also been entangled in more politically aligned extreme right-wing associations such as the Katholisch-Nationalen (Catholic Nationals), the Deutsche Klub (German Club), and the Deutsche Gemeinschaft (German Community). Many of these same individuals had likewise been involved in the post-war Catholic youth movement, which had been heavily influenced by the writings of theologian Michael Pfliegler. Pfliegler criticized political Catholicism and emphasized the importance of the Church’s pastoral mission, especially to promote peace between church and state. Youth associations such as Reichsbund Jungösterreich, Bund Neuland, and Quickborn rejected the Peace Treaty of St. Germain-en-Laye (1919), supported a Greater-Deutschland, and embraced various forms of antisemitism, though generally not racial. Many of their members also rejected the Austrian Corporative State, especially the close alignment between the Austrian Catholic Church and the Dollfuß and Schuschnigg governments. Catholic priests from Styria, whose borders had been affected by the 1919 treaty, particularly rejected the situation of post-war Austria. Scherzberg provides a comprehensive overview of Austria’s pre-Anschluss history to contextualize the AGF’s foundation.

Before the 10 April 1938 National Referendum on the Anschluss, the Austrian bishops issued a solemn declaration that expressed their goodwill towards National Socialism. The Holy See, however, was not pleased by the stance of the Austrian episcopate, especially after the encyclical Mit brennender Sorge (With Deep Anxiety), that criticized the German state’s encroachment on the rights of the Catholic Church. On 8 April 1938, Schmerzensfreitag (Friday of Sorrows), many of the individuals who were predisposed to form the AGF, issued a letter directed to Cardinal Theodor Innitzer, archbishop of Vienna, in support of the Anschluss and critical of the Vatican. Eight days later, on 17 April, Pircher, van den Bergh, and two other priests in the name of the AGF issued a public appeal to the Catholic clergy to support the political developments between Austria and the German Reich. Newspapers covered it and reported that the appeal allegedly resonated with the clergy. Immediately, Jakob Weinbacher, Innitzer’s secretary, made it known that he did not approve. As early as May 1938, the Vienna Diözesanblatt (Diocesan Gazette) reminded clergy that they were not to be involved in politics and should limit their realm of activity to the pastoral sphere. On 30 September 1930, Cardinal Innitzer ordered diocesan newspapers to announce a ban against the AGF. Pircher and van den Bergh were never personally informed beforehand. In October 1938, Pircher issued a statement carried by Austrian newspapers that announced the disbandment of the AGF.

Scherzberg’s argument reveals that the prohibition was not due solely to a question of tactics or a difference of opinion about applying them that led to the AGF’s ban. Instead, one could attribute it more to the nature and function of the diocesan hierarchical structure, whereby only a bishop or his delegate speaks in the name of the Church. The ban also took place during a period of tense church-state conflict as the two sides negotiated for power in annexed Austria. With pressure on his back from the Holy See to assert the rights of the Church and to critique National Socialism, Innitzer could not allow a renegade group of priests to speak for his diocese. Pircher and van den Bergh were not alone. Pircher claimed that 525 priests were members, and an additional 1844 expressed their support (out of 8,000 priests in Austria). Scherzberg finds that these numbers may not be entirely overstated. Through meticulous research, she identifies at least 150 priests who joined the AGF and offers convincing arguments about the missing individuals not accounted for.

Around the time of the AGF’s prohibition, a power struggle ensued between Pircher and Pischtiak. Scherzberg speculates that Pischtiak used his connections with Bürckel to have the Gestapo confiscate the AGF’s membership index from its headquarters in Pircher’s home. At this point, it might have been helpful if Scherzberg had also analyzed the contemporary lay-cleric dynamics in this power struggle. Nevertheless, in the end, Scherzberg reveals that Pircher proved more skillful at power-play, apparently enjoying a more significant share of Bürckel’s trust. Pitschtiak then separated himself from the AGF and disappeared from the historical record.

Even though the AGF had formally disbanded, Pircher refused to let go of his dream to create a mass organization for priests within the NSDAP structure. Moving underground, Pircher maintained his contacts with like-minded priests. In a November 1938 letter to a former AGF member, he declared that the NS-Priests needed to retain, “‘reconciling, mediating, and state-affirming ideas [until] a modus vivendi can be achieved in religious terms’” (228). He was not alone. Pfarrer, Richard Hermann Bühler, a retired priest of the Limburg diocese, suggested that they establish an NS Religionsdiener-Verband (National Socialist Religious Servants Association) that would educate the clergy in a National Socialist spirit. Yet, in the disbanded AGF world, these efforts had little practical impact as the actual group of priests dwindled over time to a select few.

Amid this post-AGF climate, in December 1938, Pircher travelled to Cologne to meet for the first time Richard Kleine, a priest of the Hildesheim diocese and religion teacher at the Duderstadt Gymnasium. Though the specific origins of their initial contact are unknown, Kleine would become a leading figure among the NS-Priests as well as its primary theorist. Kleine’s entry along with others would also broaden the group’s geographic scope, enlarging it from its primarily Austrian locale to a broader demographic reach that would encompass the Greater German Reich.

Scherzberg’s research reveals a great deal more about Kleine than previous studies uncovered. To avoid scandal over Kleine’s illegitimate birth, he had to be ordained for Hildesheim instead of his home diocese of Cologne. Likewise, he was rejected as a Feldgeistlicher (military chaplain) in the First World War. While not overemphasizing these points, Scherzberg speculates that they had an impact on his self-perception and world outlook. Still, Kleine had further influences. His professor, Arnold Rademacher, a specialist in fundamental theology at the University of Bonn, advocated for both church reform and the reunification in faith among the Christian denominations. In the same vein, at University of Tübingen, Wilhelm Koch, professor of dogmatics and apologetics and a progressive intellectual, provided Kleine with a religious worldview that contrasted with the dominant neo-scholastic approach of his era. Accused of the heresy of modernism, Koch ended up leaving teaching and returned to full-time pastoral ministry. The impact of Rademacher and Koch on Kleine would especially be felt when Kleine raised issues that preoccupied him and shared them with members of the NS-Priests.

In addition to Pircher, Kleine, van den Bergh, and Bühler, other prominent members included Alois Nikolussi, a priest of the Trient diocese who in 1919 became a Chorherr of St. Augustine at Stift Sankt Florian; Simon Pirchegger, a priest of the Graz-Seckau diocese, a Dozent of Slavic Studies at University of Bonn, and an NSDAP member; Joseph Mayer, an Augsburg priest and professor of moral theology at Theologische Fakultät Paderborn; and Adolf Herte, a Paderborn priest and a professor of church history and patristics also at Paderborn. As Scherzberg’s previous works have also shown, Karl Adam, professor of systematic theology at the University of Tübingen, later joined this group.[5] A few Catholic laymen were also involved, including Josef Bagus, editor of the Kolpingsblatt, and Alois Brücker, an editor and NSDAP member living in Cologne. For each of these individuals, Scherzberg provides extensive background information to contextualize their support of National Socialism and initial contact with Pircher and Kleine. Additionally, she concludes the first part of her study by discussing the theological positioning of the group. The individual egos of the group’s members, along with the intermittent commitment of each, did not easily lead to consensus on religious questions. Pircher, for example, remained obsessed and convinced of the group’s ability to influence the outlook of high-ranking National Socialists on the Church. Kleine became fixated on an antisemitic interpretation of Christ’s Sermon on the Mount, interpreting it as a declaration of war on Judaism. Finally, Mayer and Herte appeared reluctant in their involvement, having to be nudged along by Pircher.

Part two of the work focuses on the activities of the NS-Priests, who never agreed on an official name for the group. The outbreak of war for Germany, with its decisive initial victories and subsequent harsh defeats, created a radicalization in the group’s outlook. Scherzberg’s systematic theological expertise is evident throughout her writing, especially in part two, as she analyzes the publications and presentations of the group’s members. Most chilling is the parallel she draws between the NS-Priests’ antisemitism, which led members to advocate the removal of references to Jews in Catholic sacramental rites, and the dormant antisemitism among members of a subcommittee dealing with liturgical reform in the Fulda Bishops’ Conference who discussed and similarly advocated for the removal of Jewish names from the marriage rite. Though the German bishops never agreed upon a revised rite for the sacraments under National Socialism, one did appear in 1948, with the Jewish names discussed above removed.

The ideas of the NS-Priests appeared in Kameradschaftlicher Gedankenaustausch (Comradely Exchange of Ideas; KG), a newsletter that ran inconsistently for twenty-seven issues from September 1939 to January 1945. With the help of a Catholic laywoman, Pircher edited and distributed each issue that typically was four pages in length. Pircher published most articles with pseudonyms. Nevertheless, Scherzberg spends significant time and does crucial detective work identifying the authors of the contributions. The KG’s language was overtly nationalistic and repeatedly implored its readers to serve their fatherland faithfully, especially in wartime. Increasingly in each issue, the KG’s language also became more militant and antisemitic. Alongside the KG, on his own initiative, from 1938-1940, Pircher wrote Information zur kulturpolitischen Lage (Information on the Church-Political Situation), mirroring the SD’s Meldungen aus dem Reich (Reports from the Reich), in which he reported on church issues that he believed would be of interest to the state. He shared the reports with Gauleiter Bürckel, who, it appears, for a brief time financially supported Pircher’s efforts. Despite their actions and National Socialist worldview, Pircher and Kleine had little sympathy for priests who proposed a more radical course for the Church’s clergy, such as abandoning clerical celibacy. Likewise, Pircher revealed his allegiance to Catholicism by including criticisms of the state’s treatment of the Catholic Church in his reports. He confided to Kleine that he might end up in Dachau for his more critical comments. Two separate party proceedings to remove Pircher from the NSDAP were eventually introduced, but neither succeeded.

The efforts of the NS-Priests brought them in contact with like-minded clergy and laity from other Christian denominations, and even in contact with representatives of völkisch non-Christian groups. Kleine pursued unification efforts with the Nationalkirchliche Bewegung Deutsche Christen (National Church Movement of German Christians; DC), and with the Völkisch-Religious Gemeinschaft (Ethnonationalist-Religious Community) nurtured by Ernst Graf von Reventlow from Postdam. Though Kleine at first was taken aback by the involvement of a few former Catholic clergymen in the DC, he soon adjusted and began to work with them. The dialogue that ensued led to a series of meetings where the participants attempted to work out the significant obstacles that existed between them. Scherzberg painstakingly analyses the discussion at these meetings and the individuals involved. Due to numerous factors, nothing of note resulted in the end. However, Kleine did receive an invitation from the Protestant biblical studies professor, Walter Grundmann, to join his Institut für Erforschung und Beseitgung des jüdischen Einflusses auf das deutsche kirchliche Leben (Institute for the Study and Eradication of Jewish Influence on German Church Life), which he accepted. As a result, Kleine’s antisemitism became more radical and even at one point promoted an ecclesiastical solution parallel to the Final Solution of the Jewish Question.

Kleine’s work with the DC led him into contact with the Mecklenburg Landesbishof (state bishop) Walther Schultz, who was sympathetic to Klein’s ecumenical efforts. Kleine also sought a similar collaborator from the Catholic side and believed he had found one in the newly appointed archbishop of Paderborn, Lorenz Jaeger, a former Wehrmachtspfarrer (army chaplain). While a previous biography has been sympathetic to Jaeger’s choices under National Socialism[6], Scherzberg’s findings reveal that while Jaeger was staunchly nationalist and open to listening, in the end, he rejected Kleine’s efforts at a joint Protestant-Catholic Pastoral Letter and refused to sanction Kleine’s understanding of church and ecumenism. Yet, Kleine did succeed in bringing together Schultz and Jaeger to a meeting with him to discuss the pastoral letter. A research commission focusing on Jaeger is ongoing in the Paderborn archdiocese.

As the war turned for the worse for Germany, the NS-Priests became more embittered, and their antisemitism proportionally increased. In their voluminous correspondence, they condemned the 1943 Decalogue Letter, which was critical of the state and adopted by the plenary assembly of the Fulda Bishops’ Conference. Scherzberg concludes that the worsening of the war situation and the party’s dwindling attention and notice given to the NS-Priests led to this escalation. One might also perceive that the radical antisemitism was always present, and that the apocalyptic situation at the end of the war provided the impetus for the priests to express their views more openly and, in turn, attempt to prove their allegiance even more. After the war, most of the known members of the NS-Priests, centered around Pircher and Kleine went through some form of denazification and lost their positions. The lay members, less so. Yet, Scherzberg reveals that none dropped their racist National Socialist views, but instead, merely suppressed them.

In her introduction, Scherzberg offered a theoretical framework that included the sociological theories of (de)-differentiation, (de)-secularization, and (re)-sacralization, to understand and evaluate how the priests interacted with the church and state. She returned to this framework in her conclusion. For Scherzberg, the priests she studied lived in a differentiated and often secularized society, operating within their own independent sub-system. She continued, “They demanded freedom of religion, freedom of the church and freedom of conscience. In their understanding state and church were responsible for separate areas the state for the welfare of the people, the church for the salvation of souls. Consequently, the members of the group consistantly rejected attacks by the state or the party on the church and the practice of religion” (599-600). Yet, in their own way and according to their values, the priests were traditional, upholding priestly celibacy and religious education. Often, they wanted the best of both worlds, rejecting political Catholicism while still hoping to influence political and social processes. At the same time, they were willing to accept the state’s oversight in areas such as the training of clergy.

Scherzberg also considered how the polycratic nature of the NS-State, especially evident in the leadership of Vienna’s Reichsstatthalter und Gauleiter Josef Bürckel and Baldur von Schirach, affected the NS-Priester. Like many Germans, the NS-Priester did not blame Hitler for the persecution of the Church. Instead, they relegated the responsibility to lower-level National Socialists or more likely than not to clergy themselves for not supporting the party and state. While not identifying state leadership style as polycracy, the NS-Priests attempted to benefit from the regionally differentiated leadership approaches at-large by courting Bürckel and Schirach with varying levels of success. Finally, Scherzberg considered the role that masculinity and comradeship played in the relational milieu that NS-Priests fostered. Most of the NS-Priests, for example, bought into the overtly militaristic language of the time, with some taunting or jeering the hesitancy of fellow priests to act, accusing the latter of a breach in masculinity. The comradely address shared between them and displayed boldly on their newsletter, however, ultimately had little weight as conflict and doubt arose among them. In the end, according to Scherzberg, they appear to be lone agents out for themselves and only brought together by a prevailing ideology. Each seemed willing to sell out the other, if necessary, to become more recognized by National Socialist leadership.

Lucia Scherzberg has produced an excellent study that should be widely read. It significantly helps the reader to understand the dangers of extreme nationalism and the temptation to misshape religion for personal and political gain.

Notes:

[1] Kevin P. Spicer, Hitler’s Priests: Catholic Clergy and National Socialism, DeKalb, IL, 2008; vgl. „Gespaltene Loyalität. ‚Braune Priester‘ im Dritten Reich am Beispiel der Diözese Berlin“, übersetz. Ilse Andrews, Historisches Jahrbuch 122 (2002), S. 287-320.

[2] z.B. Franz Loidl, Religionslehrer Johann Pircher. Sekretär und aktivster Mitarbeiter in der ‚Arbeitgemeinschaft für den religiösen Frieden‘ 1938 (Vienna 1972); ders., Hg., Arbeitgemeinschaft für den religiösen Frieden 1938/1939. Dokumentation, 1. Teil (Vienna 1973); ders., Hg., Arbeitgemeinschaft für den religiösen Frieden 1938/1939. Ergänzungs-Dokumentation, 2. Teil (Vienna 1973).

[3] Lettl was a former student of Rudolf Zinnhobler, professor of church history at the katholische Privatuniversität Linz. Josef Lettl, Die Arbeitsgemeinschaft für den religiösen Frieden 1938, Diplomarbeit (Linz 1981).

[4] Eva Maria Kaiser, Hitlers Jünger und Gottes Hirten: Der Einsatz der katholischen Bischöfe Österreichs für ehemalige Nationalsozialisten nach 1945 (Wien/Köln/Weimar 2017).

[5] Lucia Scherzberg, Kirchenreform mit Hilfe des Nationalsozialismus. Karl Adam als kontextueller Theologe. (Darmstadt 2001) and ders., Karl Adam und der Nationalsozialismus (Saarbrücken 2011; theologie.geschichte, Beiheft 3).

[6] Heribert Gruß, Erzbischof Lorenz Jaeger als Kirchenführer im Dritten Reich. Tatsachen-Dokumente-Entwicklungen-Kontext-Probleme (Paderborn 1995).

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Review of Manfred Gailus, Friedrich Weißler. Ein Jurist und bekennender Christ im Widerstand gegen Hitler

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Review of Manfred Gailus, Friedrich Weißler. Ein Jurist und bekennender Christ im Widerstand gegen Hitler (Göttingen: Vandenhoeck & Rupprecht, 2017). 316 pages, with illustrations and an appendix with documentation. ISBN 978-3-525-30109-8.

By Victoria J. Barnett, United States Holocaust Memorial Museum (Retired)

Manfred Gailus (who is one of the editors of this quarterly review) has published several studies of little-known and under-examined individuals in the German Protestant churches under National Socialism, including Helmut Hesse, Elisabeth Schmitz, and other Protestant women who resisted Nazi racial policy. These books are not only detailed studies of what dignity and heroism in Nazi Germany looked like. They reveal how marginalized such people were in their own times and all too often in the historiography.[1]

Friedrich Weißler is another such figure. A legal advisor to the Confessing Church, he is usually mentioned (if at all) in his connection to the 1936 Confessing Church memorandum (Denkschrift) to Adolf Hitler. Tortured and beaten to death in Sachsenhausen in February 1937, Weißler was the only person to be killed as a result of the memorandum. Not coincidentally, he was also the only “Volljude” involved. This 2017 book by Manfred Gailus is a gripping biography of a courageous man and a well-documented account of the genesis and aftermath of the memorandum. (Gailus is the first author to examine the papers that were in the family possession.)

Weißler was raised in a secular and patriotic Jewish home. His father was a lawyer who was such a conservative nationalist that he committed suicide in the wake of the Versailles Treaty. Weißler studied and began to practice law during the 1920s, married a Protestant pastor’s daughter, and had two sons. Although he certainly encountered antisemitism in this first decade of his career, the Weimar years were generally happy ones professionally and personally. He moved steadily ahead in his career and became director of a legal journal; he also published books and articles on various aspects of the law. In 1932 he was appointed director of the regional court in Magdeburg. The Weißler family moved there in January 1933.

Within days of the Nazi ascent to power his life changed dramatically. Weißler issued a fine against a young SA man accused of violence who had appeared in court in uniform. The local Nazi press immediately targeted the “Jewish” judge. In an ugly incident local SA and Stahlhelm members pushed their way into the court building and hung a swastika flag from the balcony facing the town square. They then dragged Weißler to the balcony and forced him to salute the swastika flag. A few days later Weißler was suspended from his position, and in July he lost his position under the new civil service laws. Under Nazi racial laws he was a “Volljude.” In September the family, including Weißler’s elderly mother, moved to Berlin.

Weißler was 42 years of age. He had a very small pension and the family’s assets were modest. Having joined the Protestant church during the 1920s, in 1934 he became a member of the Confessing Church and developed close ties to the most radical circles in Dahlem. His legal expertise now became useful to the Confessing Church leadership as they navigated the realities of Reich church politics and Nazi law.

As in his other books, Gailus documents the antisemitism that was all too present in Confessing Church circles. It was something that Weißler encountered repeatedly and personally. The portrait that emerges is of a man who was characteristically reserved but outspoken and unafraid to confront antisemitism. After Pastor Walter Thieme of the Stadtmission defended Adolf Stoecker’s warnings against the “influence of the Jewish spirit on the life of our Volk,” Weißler wrote Thieme that he could “summon no understanding for your behavior.” He also critiqued members of the Deutsche Christen—a courageous risk for someone in his position.

All this took its toll. There are poignant examples of friends and colleagues who abandoned or turned against the Weißler family. Having received an antisemitic letter from one such “friend” Weißler noted that he was replying “only in consideration that you like so many others have succumbed to the general psychosis of this era, and given that which we previously shared.”

This general antisemitism is an important context for Gailus’s account of the 1936 memorandum to Hitler. Like all Confessing Church protests, it was a mixed bag. A small group within the Confessing Church had been urging the leadership to issue a clear public protest against the regime’s antisemitic measures; in the wake of the September 1935 Nuremberg laws these efforts gained new momentum. Although most Confessing Christians were focused primarily on church members (so-called “Christian non-Aryans”) there were others (notably Elisabeth Schmitz) who wanted the church leadership to speak decisively about the persecution of all German Jews.

These efforts led to the Confessing Church leadership’s decision to issue a memorandum and send it directly to Adolf Hitler. The decision coincided with growing divisions within the church opposition between more radical voices like Martin Niemöller and Dietrich Bonhoeffer and the church’s more compromising leaders. The memorandum was the work of a committee and like many such documents it had been considerably watered down by the time it was completed. The result was primarily an expression of the Confessing Church’s concerns about the Nazi regime’s pressures on the churches and the “dechristianization” of German society. It opened, for example, with a conciliatory expression of gratitude to Führer for defeating the threat of “bolshevism.”

The most notable section of the memorandum however condemned antisemitism in the most explicit wording that would ever be issued by the Confessing Church. It criticized the growing Nazi incitement of anti-Jewish hatred, particularly propaganda aimed at younger Germans, as “anti-Christian.” It went further, condemning the extrajudicial nature of Gestapo measures and the concentration camps, and warning against the “deification” of the Führer.

The memorandum was intended for Hitler’s eyes only and those involved were sworn to secrecy. Supposedly there were only three copies: a document personally delivered to the Reichskanzlei on June 4, 1936, by Pastor Walter Jannasch; a separate copy given to Birger Forell, pastor of the Swedish Church in Berlin; and another copy placed in the safe of the church chancellery in Berlin. It is not known whether Hitler ever even saw the memorandum; the Chancellor’s Office forwarded it to the Reich Church Ministry.

On July 15—two weeks before the opening of the Berlin Olympics—the New York Herald reported on the memorandum, and on July 23 the Basler Nachrichten published the entire document as an example of Protestant opposition to the Nazi regime. The story was also picked up by leading papers like the New York Times and the London Times.

Alarmed, the Confessing Church leadership immediately tried to find out who had leaked the memorandum. They focused on individuals with foreign press contacts, including Friedrich Weißler, who had advised throughout the planning of the memorandum. The others were Werner Koch, a seminarian who had studied with Dietrich Bonhoeffer in Finkenwalde, and Ernst Tillich, who had studied under Bonhoeffer in Berlin before abandoning his theological studies. Weißler admitted to the church leadership that he had given a copy of the memorandum to Tillich (who knew Koch and had ties to the foreign press).

Gailus methodically reconstructs the subsequent events. Weißler, Koch, and Tillich were arrested in October 1936, as was Dr. Heinrich Schmidt, a lawyer who worked for the Confessing Church. Schmidt was released after a short time, but the other three were interrogated throughout the fall of 1936. In the meantime the Confessing Church leadership distanced itself from the group and the memorandum. In a late October meeting it was Martin Niemöller who argued that the church had to distance itself completely from Weißler: “We owe it to the Confessing Church.”

In a damning letter to Heinrich Himmler in early February 1937 the Confessing Church leadership emphasized that Weißler had never held an official position in the Confessing Church and had served only in an informal capacity. Five days later the three men were transferred from the Gestapo prison in Berlin to Sachsenhausen. Koch and Tillich were imprisoned in a block doing forced labor and released after several months. On the orders of Sachsenhausen commandant Karl Koch, Weißler was placed in solitary confinement a different block of the camp. Six days later his wife received word that he was dead. Accompanied by Heinrich Schmidt, she went to the camp and was able to see that her husband’s face was swollen and badly bruised.

Even by Nazi standards, Weißler’s death was considered extrajudicial, and at the end of 1938 three Sachsenhausen guards were tried in the killing. It became clear from the court proceedings that Weißler had been badly beaten over the six days of his imprisonment before dying of his injuries, and equally clear, as Gailus notes, that the sole motive was “blind hatred” against Jews. Only one of the guards was sentenced, to one year in prison.

Gailus’ account acknowledges those members of the Confessing Church who did stand by Weißler throughout this ordeal—notably Hans Böhm and Fritz Müller. Franz Hildebrandt, a Confessing vicar affected by the racial laws who would soon flee himself to England, was also outspoken in Weißler’s defense. In the aftermath of his death, Hildebrandt and Heinrich Schmidt continued to help Weißler’s widow and family. Weißler’s eldest son Ulrich was able to emigrate to England in 1939 on the Kindertransport. His widow and other son remained in Germany, assisted financially by friends. Weißler’s elderly mother, who lived with the family, was deported to Theresienstadt in 1943 and died there shortly thereafter. Ironically, when Martin Niemöller was sent to Sachsenhausen in March 1938 as a “special prisoner” of the Führer, he was imprisoned in the same block in which Weißler had been murdered.

Gailus concludes this fine book with a reflective chapter on the continuing importance of these individual histories, even decades after the end of National Socialism. Readers of this journal will not need to be convinced of that, but I wish this book could be translated into English. The story of Friedrich Weißler is a crucial corrective for the all too frequent superficial understandings of the Confessing Church. I will add that reading this book in light of our current events in the United States, including the murders of Black men by the police and the rise in right-wing hatred and violence, was especially sobering.

Notes:

[1] I should note that the oral histories I conducted in Germany during the 1980s included interviews with Werner Koch and Heinrich Schmidt, both of whom were involved in the memorandum. Excerpts from both interviews, giving detailed accounts of the memorandum and Weißler’s death, were published in For the Soul of the People. Both interviews are now available to scholars in the collections of the United States Holocaust Memorial Museum (the transcript of the Schmidt interview, which was not taped, is being added): https://collections.ushmm.org/search/catalog/irn707864.

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Review of A Hidden Life, written and directed by Terrence Malick

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Review of A Hidden Life, written and directed by Terrence Malick (Fox Searchlight 2019)

By Lauren Faulkner Rossi

The Extraordinary Stance of an Ordinary Man

Scholarship tells us that the German military authorities executed tens of thousands of men and jailed hundreds of thousands more during the Second World War for the crime of Wehrkraftzersetzung, or the undermining of military morale.[1] Such a category encompassed a broad spectrum of treasonous behaviour, from deliberate sabotage to desertion of one’s post to conscientious objection. Franz Jägerstätter is one of the more well-known examples of the last category. Gordon Zahn’s 1964 English-language biography, In Solitary Witness, brought him renown beyond his immediate community and did much to illuminate the historical and moral circumstances of Jägerstätter’s life and especially his execution. Numerous articles, books, and screen treatments of him followed over several decades, leading to the 1998 formal abrogation of his sentence and his 2007 beatification by Pope Benedict XVI, who also recognized him as a martyr.[2] Terrence Malick’s exploration, therefore, does not necessarily break new ground, but the strength of the film, as it retreads established paths, is the director’s attention to the emotional toll of Jägerstätter’s conviction on himself and his family, and the director of photography’s breathtakingly beautiful shots of the South Tyrol alpine countryside.[3]

Malick is an atypical American director: he has protected his private life to the point of reclusiveness; his projects routinely consume several years; while he has made several critically-acclaimed films (his first film, Badlands; The Thin Red Line, about the Vietnam War; The Tree of Life, about immortality), he is both lauded and criticized for favouring themes and visual aesthetics over plot and narrative (see The Tree of Life). In fact, A Hidden Life delivers a more linear narrative than many of his films, with an identifiable beginning, middle, and end. It opens with Leni Riefenstahl’s Triumph des Willens, the famous aerial shot of clouds and a city gradually coalescing through the mist. Lasting only the first couple of minutes, and including splices from elsewhere in that famous 1934 documentary, such as the stunning panorama of the Nazi Party’s rally grounds, this is all Malick gives to the audience of Hitler’s climb to power and takeover of Austria and Czechoslovakia before plunging directly into the fall of 1939. Franz Jägerstätter (August Diehl) is married to Franziscka (“Fani”, Valerie Pachner), and has two small blonde-haired, blue-eyed daughters. They live in the Upper Austrian village of Sankt Radegund, not far from the German border (Bavaria). We watch them pause in their labour as unseen planes fly overhead, our only clue that the war has begun.

Their life as farmers (some scholars call them peasants) can be backbreakingly hard, a fact that Malick and Jörg Widmer, the director of photography, take great care to emphasize continuously, so one cannot charge the film with romanticizing rural workers. Their existence is dominated by the seasons, and harvests, and very dependent on the cooperation of the entire community: cutting and milling wheat, ploughing fields without advanced machinery, tending sheep and other farm animals, pulling dirt and mud out of a dried-up well by hand. But there is also an authenticity in their labour and a simplicity to their daily routine: planting potatoes, picking fruit from trees, their daughters underfoot or at their sides, the frequent daytime breaks for quiet moments together or to play games, window frames and sills decorated with fresh wildflowers. The mountains are quasi-protagonists themselves, looming in and out of view in the wide-angled shots that Malick favours in many of his features, emphasizing the grandiosity and majesty of nature and the relative insignificance of humans.

Malick ensures that this visually arresting scenery is firmly implanted in his audience as he continues towards the middle of his narrative. Franz – well liked, an upstanding member of his community, a family man – undertakes compulsory military training in 1940 (around which time a third daughter arrives), at first with benign acceptance but then with increasing doubt. Documentary footage from the battlefield, shown as part of training, leaves a deep and obviously negative impression on him, and he returns home full of doubt about his willingness and ability to serve. (The film does not make this clear, but he received an exemption as a farmer and would not be called up until 1943.) His doubts are rooted in the unjustness of the war and the conduct of the German Wehrmacht, though Malick seems less interested in historical context and more in the emotional, almost visceral angst of Franz. The real-life Jägerstätter’s objections were more than mere hostility to the war effort, had a much longer brewing period – he was the only person in his village to vote against the Anschluss in 1938 – and had as much to do with the nature of the Nazi regime as the war itself. He condemned the Nazi T4 “euthanasia” program when he learned of it and followed with dismay the repeated and open attacks by the Nazis on the Catholic Church in both Germany and Austria, which further estranged him from the idea of military service.

His struggle is conducted internally and externally; in the film, in addition to countless wordless scenes of long gazes and conflicted expressions, there is almost no one that Franz does not eventually seek out for counsel. He speaks with his wife and his mother, Rosalia. (He was her only son, and she did not initially support his decision.) He speaks with his local priest in the church where he works as sacristan (and where he became a member of the Third Order of Saint Francis, a fact not mentioned in the film), who nervously tells him, “Your sacrifice would benefit no one”, but nonetheless arranges for him to meet with Josef Fließer, bishop of Linz. The bishop tells him, “You have a duty to the Fatherland – the Church tells you so.” (Franz confides to his wife that he felt the bishop treated him as a potential spy and feared to speak openly.) He defends himself to the mayor, once a friend, and to the former mayor, and to the miller, and to a painter working on the church frescoes, and to others who would listen. The earlier emphasis on community now reveals itself for its significance: if that community should turn against you, the bleakness of life tending a farm in such remote conditions is acute. Franz finds no true like minds and almost no supporters, and his family is actively ostracized and jeered at for his “act of madness, [his] sin against family and village.” His wife and her sister, Resie, must endure bullying and fits of shouting; his children are picked on. The mayor calls him a traitor to his face. The few people that show an understanding continue their friendships discreetly, from a distance. For his part, Franz is not swayed from his conviction: he knows he will not take the oath to Hitler – “the anti-Christ,” as one of the very few sympathetic villagers refers to him, in a soft tone – that is required of all soldiers; he refuses to give donations to veterans’ associations, whose brown-shirted members are canvassing for money; he refuses the Hitler greeting, clinging obstinately to the regional “Grüß Gott” that one still encounters there today. He and Fani hope that the war will be over before he is called up, and talk about possibly running away, maybe hiding in the forest. (Fani eventually encounters a bedraggled, dirt-crusted man, a stranger and, one assumes, a Jew, in the forest near the village, but he flees before she can approach. There are no Jews in the movie and no mention of the word Jew itself, only vague allusions to unwanted foreigners during one of the mayor’s drunken monologues shrieked before a blazing outdoor fire.) Franz does not seem to have seriously considered this. In any case, his fate cannot be delayed long.

Franz is called up in March 1943, in the aftermath of the disastrous German defeat at Stalingrad (Malick does not mention this context). In short order, Franz refuses the oath and is tossed into jail, first at Enns where he underwent training, and then later at Tegel, in Berlin. Here is where Malick comes closest to showcasing the violence and sadism of Nazism, in the form of Franz’s military guards who subject him to endless beatings, torture, and other cruelties. The windows of the cells he is moved through grow gradually smaller until he is held in a space scarcely larger than a closet with a tiny window he cannot reach. Such claustrophobic confinement is contrasted with his memories of home, the sweeping meadows, the trees with low-hanging fruit, and even more dramatically by Malick’s insertion of colourized documentary footage of Hitler at his mountain retreat in Berchtesgaden, entertaining the Nazi elite and their children, or sitting contemplatively in a chair with the mountains looming behind him.

Both Franz and Fani are subjected to temptations: the suave lawyers who try to persuade Franz to change his mind, and Resie, who insists to Fani that Franz’s behaviour is prideful and selfish. Where Fani’s faith comes across as childlike, perhaps even naïve – “No evil can happen to a good man,” she tells herself as she waits to hear the outcome of her husband’s arrest – Franz’s is presented as more complex, and, not surprisingly, more tortured. Any comparison of suffering is mostly an unhelpful exercise, because without doubt both of them suffered, if in different ways: beyond the endless waiting and uncertainty, Fani has only Resie for help through one springtime since no one from the village would work for them, and eventually was loathe even to go to church, where she had to endure the unwelcoming stares of her neighbours. As for Franz, his mental state begins to deteriorate rapidly, salvaged only briefly by the reappearance of Waldlan, a friend from basic training who also ended up in Tegel. (Not much by way of explanation is given: “What are you here for?” “Treason.”) Waldlan’s childlike demeanour and goofy smile leads to one of the film’s more tender, introspective moments as he stares out of his jail cell window, speaking to Franz of being free, planting vines to make wine (a white wine for summer, a red wine for winter), and sometimes going to church, and sometimes staying home.

The denouement is a foregone conclusion, even if the audience is not familiar with Franz’s story: he appears before a military tribunal, having declined numerous times to volunteer for service in a medical unit as a way to save himself. (In fact, the real Franz Jägerstätter was willing to serve in a non-arms-bearing capacity, but this was evidently ignored at his trial.[4]) He is screamed at by a junior official, and taken to the senior judge’s private chambers during a recess and gently questioned there about his position. The conversation between Franz and the judge, played by the indomitable Bruno Ganz (famous among North American audiences for playing Hitler in Der Untergang, here in one of his final roles), is almost as affecting as Widmer’s mountain shots: Ganz as the judge lets sober contemplation and discomfort play across his face and, after Franz is returned to the courtroom, he sits down in the chair he had occupied, hands on knees, silent, as if trying to imagine himself in Franz’s place. Ultimately, he is not moved enough to challenge the inevitable: Franz is sentenced to death, and executed by guillotine on 9 August 1943.

Cinematically, this is the most beautiful film I have seen this year, and maybe for several years. Malick and Widmer are famous for such productions. Even if one expects a visual spectacle based on their reputation, to experience the camera following closely behind Franz’s motorcycle on the sun-soaked mountain path, skimming through rolling fields, past simple shrines and straw-hatted labourers packing hay, is breathtaking. Fani’s search for firewood in the winter of 1940/41, while Franz is undergoing training, is similarly arresting, as she trudges alone over streams and up hills through waist-high snow. The pacing is even and unrushed, and while there is very little action (in the American sense), the three hours was not arduous. The two lead actors are convincing in both their love for and dedication to each other as well as the anguish that Franz’s position causes. Malick is hardly a stranger in confronting the deeply spiritual and philosophical conundrums of our time and exploring the repercussions of an individual’s difficult decision, particularly on loved ones. His camera lingers on Franz’s face, anxious to catch any evidence of doubt or regret (one senses it but never quite sees it), and exposes us to Fani’s breakdown, her hands ripping into the earth in vain, her fists and feet pummeling the unyielding wood of the pasture fence before climbing over it and running into the distance. The impressive supporting cast adds heft to the drama: in addition to Ganz, appearances are made by Matthias Schoenaerts as one of Franz’s lawyers, Jürgen Prochnow as the former mayor, Michael Nyqvist as Bishop Fließer, Karl Markovics as the mayor, and Franz Rogowski as Waldlan. Malick deftly uses language to convey various moods as well: the movie is in English with un-subtitled German threaded into specific scenes, including the trial and community gatherings. But this is not Hollywood’s take on the shrieking Nazi, the German rendered villainous and almost unintelligible; there is that too, as the villagers holler at Fani and Resie in guttural, spit-flecked Austrian dialect, but Malick also uses it for Franz’s whispered prayers and Bible recitations, and Fani’s own musings, prayers and half-thoughts, both sprinkled throughout the movie.

The critical eye of the historian will be less generous in her assessment of the film, though clearly Malick made decisions as the writer and director without feeling obliged to honour the deeper historical context. Franz and Fani are presented as partners, but his decision to refuse the oath is his own. Historically Franziska Jägerstätter endured much controversy and was depicted in her community both at the time and for many years after the war as a co-conspirator, maybe even an arch-influencer, in Franz’s decision; the fact that she supported him, even encouraged him to stand his ground (relayed in the film as her swearing, in the wrenching final meeting between them sometime before his trial, that she would love him no matter what he chose to do) was read by many as having fueled Franz to commit himself to his conscientious objection. She was the more religious of the two when they married; he became more serious about his faith after they wed. This gives a deeper meaning to one of the only exchanges with words between Fani and Rosalia, when she asks her mother-in-law if she blames her for her son’s actions; Rosalia responds cryptically, “He was different, before he met you,” and then the scene cuts away. He was also significantly affected by the example of Franz Reinisch, a fellow Austrian conscientious objector and the only Catholic priest to be executed during the Third Reich, in August 1942, for refusing to swear the Hitler oath; Franz found great affirmation in the fact that he was following the example of a priest. Reinisch plays no role in the movie. Nor does Rupert Mayr, another member of the Third Order of Saint Francis and fellow conscientious objector, who Franz met during his training; the two grew very close through a voluminous correspondence. Rather, Malick presents Franz as something of a lone wolf in his principled stance.

The film is clearly the story of Franz and, to a slightly lesser extent, Fani, and their emotions. Thus Malick spends little time delving into the motivation behind Franz’s decision, beyond his disgust with the war and rejection of Hitler. Their deep religiosity is evident, as is Franz’s desire to be guided by authorities in his church and his belief that what he is doing is right. But the true cause of his refusal to swear the oath – his conviction that, as a Catholic he could not in good conscience swear loyalty to a man like Hitler and the regime he represented, both of which were antithetical to all that a faithful Catholic held as central – is not as deeply interrogated as his emotional journey to stay faithful to that refusal. We do not really learn how he came to feel this way. We know nothing of Franz before 1939 other than brief flashbacks centred on Fani, and we are left to assume what exactly his objections are to Nazism. There is no evidence in the film that Franz wrote extensively, but he did, both about his faith (including, evidently, a catechism for his children, in fearful anticipation that they would not receive a proper Catholic education; his parish priest burnt it in 1945[5]) as well as his opposition to Nazism. Malick’s Franz holds a pencil only to write a few last lines, presumably to Fani, on a clipboard that a guard thrusts at him as he stands waiting for his sentence to be carried out. Even less time is spent on the Church authorities that Franz trusted and who forsook him: the bishop in Linz and the parish priest in Sankt Radegund both come across as typical clergy for the time, careful not to speak openly against the regime, content to stress one’s duty to nation, community and family. Why they failed to share Franz’s conviction that one could not compromise with Nazism without endangering one’s soul is a question still debated today, with few satisfying answers: why did he resist, but not these others? Why was accommodation to Nazism far more common than resistance?

But A Hidden Life, while based on true events and largely accurate to those events as documents tell us, does not pretend to be a rigid historical rendering. Malick is intent on sketching a portrait of Franz and the depth and breadth of his humanity. Each scene was prepared to show the extraordinary goodness of an ordinary man in exceptional circumstances, who was killed for refusing to compromise his deepest beliefs. (An epigraph featuring a George Eliot quotation, unidentified as from Middlemarch, clarifies the meaning of the title.) For this reason the film may well be one of Malick’s masterpieces, bringing the story of Franz Jägerstätter to a more popular audience, and giving to a more informed, scholarly audience a nuanced, reverent treatment of one of the era’s few genuine heroes.

Notes:

[1] See Norbert Haase and Gerhard Paul, Die andere Soldaten : Wehrkraftzersetzung, Gehorsamsverweigerung, und Fahnenflucht im Zweiten Weltkrieg (Fischer Taschenbuch Verlag, 1995).

[2] A concise but detailed analysis of the abrogation is delivered by Manfred Messerschmidt, « Die Aufhebung des Todesurteils gegen Franz Jägerstätter » in Kritische Justiz 31/1 (1998), 99-105.

[3] Because of the amount of literature on Franz Jägerstätter, some of which is academic and much of which is hagiographic, I will analyze the film for the most part on its own terms, with some critical discussion of its attention to historical context, rather than within the framework of the Jägerstätter historiography.

[4] Erna Putz, Franz Jägerstätter – Martyrer : Leuchtendes Beispiel in dunkler Zeit (Bischöfliches Ordinariat der Diözese Linz, 2007), 84-85.

[5] Putz, pg. 68.

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Article Note: Jörg L. Spenkuch and Philipp Tillmann, “Elite Influence? Religion and the Electoral Success of the Nazis”

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Article Note: Jörg L. Spenkuch and Philipp Tillmann, “Elite Influence? Religion and the Electoral Success of the Nazis,” American Journal of Political Science 62:1 (January 2018): 19-36.

By Heath A. Spencer, Seattle University

Amid the current emphasis on Catholic complicity with Nazism, Jörg Spenkuch and Philipp Tillmann assess the Church’s ability to immunize its members against Nazism at the end of the Weimar era. Whereas researchers like Thomas Childers, Richard Hamilton, Jürgen Falter, and John O’Loughlin have already determined who voted for Hitler, Spenkuch and Tillmann address “the deeper question of why some groups radicalized while others did not” (20). They maintain that Catholic underrepresentation among Nazi voters was due primarily to the influence of the “Catholic Church and its dignitaries” rather than Catholic subculture or economic conditions in regions with a Catholic majority (22).

To make their case, they use a combination of county-level and municipal-level election results along with census data from 1925-1933. Controlling for other variables like demographic characteristics, unemployment rates according to occupation, workforce composition, and geographic differences, they find that “by itself, counties’ religious composition accounts for about 58% of the variation in the share of Nazi votes” (22). Using an Instrumental variables approach and ecological regression, they determine that “the ratio of Protestants to Catholics among NSDAP voters is about 8 to 1, relative to a population ratio of only 2 to 1” (27) and that “this difference cannot be attributed to systematic socioeconomic differences between both groups, as assumed in much of the prior literature” (28).

Having demonstrated the primacy of Catholic religious identity as an independent variable, the authors test their theory that elite influence shaped political choices by comparing the voting behavior of Catholics subject to the influence of pro-Nazi clerics with that of other Catholics.[1] They find that in such cases, the gap between Protestant and Catholic support for the NSDAP narrowed by 32-41%. In other words, “Catholics and Protestants voted considerably more alike in areas where the Catholic Church’s official warnings about the dangers of National Socialism were directly contradicted by the local clergy” (27).

The authors also address an anomaly that appears to undermine their claim of elite influence—the fact that Catholics were just as likely as Protestants to vote for the communist party despite the Church’s opposition. They attribute this asymmetry to the Catholic Center Party’s “ideological position” on the center-right of the political spectrum (31). While Protestant voters were free to choose the political party closest to their “ideal point,” Catholics faced sanctions if they supported the Nazis or the communists. However, Catholic voters who preferred the NSDAP found it easier than communist supporters to settle for the Center Party because it was closer to their “ideal point.”

Though Spenkuch and Tillmann are not the first to recognize the influence of the Catholic Church and its clergy on the political behavior of lay Catholics, their method quantifies and clarifies the nature of that influence in a discrete historical context. Applying their framework to “radicalized electorates” in the present, they posit that elite influence is most effective when warnings or penalties are accompanied by viable alternatives to extreme political movements: “Depending on the circumstances, a populist but influential elite may ultimately be preferable to a weak, principled one. Paradoxically, our work suggests that it may take a populist to save democracy from the fanatics” (35). They do not explain why populism is the only viable alternative, nor do they clarify the difference between populists and fanatics, but given the timing of their research and its publication, it is clear they have the United States and its religious and political landscapes in mind.

Notes:

[1] For their data set, they took the 138 priests identified by Kevin Spicer in Hitler’s Priests: Catholic Clergy and National Socialism (DeKalb, IL: University of Northern Illinois Press, 2008), geocoded their locations at the end of the Weimar Republic, and included all communities within a ten-mile radius.

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Article Note: Amit Varshizky, ‘The Metaphysics of Race: Revisiting Nazism and Religion

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Article Note: Amit Varshizky, ‘The Metaphysics of Race: Revisiting Nazism and Religion,’ Central European History 52, no.2 (2019), 252–88; https://doi.org/10.1017/S0008938919000189

By Samuel Koehne, Trinity Grammar School

In this article, Varshizky returns to the topic of Nazism and religion in order to consider the ways in which National Socialism and its core concepts of ‘race’ may be understood as not simply an amalgam of a fascination with genetics, racial science and ‘biological determinism’ but as a ‘new form of religiosity’ (252). In this sense, Varshizky draws on earlier works, such as Goodrick-Clarke and Mosse, as well as places his article very much in the current debate around whether Nazism had any core spiritual direction whatsoever.

Much of the paper considers intellectual trends within German society, and the ways in which debates in the fields of both philosophy and anthropology possibly underpinned concepts used by leading Nazis. Varshizky has previously written some very insightful work on Alfred Rosenberg, including his article on the Nazi ‘world-view’ (Weltanschauung) as a kind of ‘modern gnosis’ (Politics, Religion and Ideology 13, no.3 (2012), 311–31). The present article begins with a useful precis of the current debates on Nazism and religion, and Varshizky identifies three major schools of thought on Nazism and religion. These portray the Nazis as ‘secular and atheistic’ while making use of religious forms for a kind of ‘political religion,’ as ‘pagan’ and driven by an ‘anti-Christian impulse,’ or as identifying ‘ideological and institutional links between Nazism and Christianity (usually Protestantism)’ (254). However, Varshizky places his own paper solidly within a fourth historiographical ‘school’ that has emerged in recent years (Burrin, Koehne), which recognizes that Nazism could be all of these things at once and that ‘syncretism’ in the party was such that ‘[each] of these three narratives [political religion, paganism, Nazi Christianity] refers to a certain stream that existed within the Nazi ideological establishment’ (253–55).

For his part, Varshizky believes that the ‘most acceptable’ view on Nazism and religion is that of Wolfgang Bilias and Anson Rabinbach, that Nazi ideology was more of an ‘ethos or Gesinnung’ that was ‘vague and indistinct enough to embrace a variety of related perspectives’ (255). In common with other scholars in recent years, Varshizky therefore sees the Nazi aspect of ‘syncretism’ as a ‘racialized form of religiosity’ rather than necessarily an ideology that adhered to a ‘systematic or organized form of religion.’ Opposing the notion of a simplistic dichotomy in the field of Nazism and religion (such as ‘Christian/pagan’ or ‘atheist/religious’), Varshizky locates the origins of a blended Nazi scientific-religious approach in ‘vitalist biology’ in the 1920s and 1930s in Germany, and traces the debates that existed in both theological circles and in anthropology in Germany from around 1900 (257–61; 261–68). In both cases, Varshizky argues that Nazism could form links to ‘paradigmatic transitions in philosophical and scientific thought’ in Germany including a growing use of ‘biocentric jargon’ in ‘life-philosophy (Lebensphilosophie)’ (257).

Varshizky points out that the theological and philosophical responses to secularization and modernity included debates that depicted ‘Judaism as the source of modernity and its crisis’ (258),’ which could form a nexus with both völkisch antisemitism and the antisemitism of ‘conservative revolutionary circles.’ (258). Varshizky places these in historical context, noting that such debates, combined with a sense of crisis in modernity and concepts of alienation, created a concept of ‘race’ that amounted to ‘a broad cultural and epistemological category’ rather than any narrowly defined or ‘scientific’ concept (261). Drawing on writers that were highly influential in the fields of genetics, anthropology and ‘racial science’– such as Walter Scheidt, Hans F.K. Günther, Fritz Lenz, Ernst Krieck – he also traces the idea of science performing the role of ‘instrument’ within a concept of race as a ‘faith’ or a ‘total reality, verified by its own factuality from its being-in-itself’ (266). This is a fascinating argument, and certainly draws on writers who heavily influenced the Nazis directly. It correlates with previous explications of Nazism and race, including leading Nazis’ obsession with salvational nationalism, but Varshizky here identifies the manner in which the Nazis might also be – in my view – rightly considered as a conspiracy group, adhering to a ‘total reality’ that dictated the manner in which they perceived the world. This had a direct impact under Nazi rule, as Varshizky notes that such an approach meant that the Nazi regime attempted to create a bewildering array of ‘Aryan’ sciences (‘Aryan physics,’ ‘Aryan mathematics,’ ‘Aryan biology’). Varshizky sees this as not only then being driven by a kind of metaphysical fascination with race, but as ultimately combining religious experience and science to some degree. The leitmotif in his consideration of Rosenberg and Gross, both of whom were leading Nazis who were deeply involved in the study of ‘racial values,’ is that their writings show the interweaving of ‘biological racism’ and ‘theological narratives employing vitalist language’ (273).

Some of the most valuable material in this paper appears in the section on Rosenberg and Bergmann (279–83), where Varshizky explores their writings in considerable depth, noting the philosophical approach that they adopt revolved around concepts of blood but also a kind of ‘pantheistic religiosity’ in which religion ‘had to be evaluated in accordance with [the Nazis’] “hyperracialized and antisemitic ideology.”’ (282). His work provides further evidence for the concept of ‘ethnotheism’ (Koehne) in the Nazi Party, as he concludes: ‘The demand to reconcile all religious views with the “moral feelings of the Germanic Race” [Point 24, Nazi Program]…resulted in a largely cohesive, if flexible, attitude toward religion,’ in which ‘all spiritual values were ultimately race-determined.’ In his view, such supposedly ‘biologically-based spirituality’ could provide an ‘all-encompassing’ world-view in a time of severe crisis during the Weimar Republic.

Indeed, it is perhaps the more pertinent to us now to return to these concepts, as many present-day crises have seen the rise of conspiracy theories and the amalgam of people’s concerns and fears with vast, fictional, but deeply held views in which a ‘total reality’ is stood against actual reality. In such crises, people are indeed turning to explanatory frameworks or a ‘conceptual grid’ that simplifies and ‘holistically’ explains the world in terms of some larger conspiracy or ‘cabal.’  While race may not necessarily be the core of such conspiracy groups today – although sadly antisemitism is often a core component – reading Varshizky’s article was a timely reminder that we perhaps have greater insight presently into the ways in which Nazi ideology worked: as a racial world-view that (to its adherents) revealed the ‘true’ nature of the world as one of ‘racial struggle.’

 

 

 

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Article Note: Ionuṭ Biliuṭă, “Fascism, Race, and Religion in Interwar Transylvania: The Case of Father Liviu Stan (1910–1973)”

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Article Note: Ionuṭ Biliuṭă, “Fascism, Race, and Religion in Interwar Transylvania: The Case of Father Liviu Stan (1910–1973),” Church History 89:1 (March 2020): 101-124.

By Heath A. Spencer, Seattle University

Ionuṭ Biliuṭă uses the case of Father Liviu Stan to confront the “collective ecclesiastical forgetting” in works that celebrate the scholarship of Romania’s interwar theologians while ignoring their collaboration with fascist and communist regimes (102). Reverence for Stan is particularly noteworthy given his virulent racism, membership in the Iron Guard, and service in government during the National Legionary State and the communist era. There is an inverse relationship between appreciation for Stan’s theology and interest in his biography.

As a university student in the early 1930s, Stan actively and at times violently supported nationalist and antisemitic agendas. By 1935, he had “converted” to fascism and equated “radical nationalist politics” with “religious salvation” (110). He officially joined the Iron Guard in 1937, the same year in which he was ordained and appointed to the faculty of the Academy of Orthodox Theology in Sibiu. Although he left the Iron Guard in 1938, his commitment to fascist ideals continued. In articles he wrote for the Legionary press, he promoted antisemitism and the exclusion of Roma from the national community. His book Race and Religion “advocated for the religious necessity of a racist outlook in accordance with the divine plan initiated by God’s creation of man” (122), and its publication in 1942 coincided with the war against the Soviet Union and Romania’s participation in the murder of European Jews.

As head of the Department of Religious Denominations in 1940, Stan was part of a failed attempt to reform the church’s institutional structure and relationship to the National Legionary State. In the early communist era, he held the same office and played a key role in the development of state religious policy, the canonization process, and ecumenical initiatives. Stan’s postwar reputation and position in government were predicated on his willingness to collaborate with the Securitate (secret police), and his new patrons discarded him once his usefulness was exhausted.

Some of Biliuṭă’s most intriguing claims remain undeveloped or at odds with one another. Were Stan and his fellow theologians conformists who cared only about their physical and professional survival, pragmatists who compromised with fascists and communists in order to pursue an independent agenda, or “true believers” who embraced fascism for a time and then abandoned it (at least outwardly) in the postwar era? Biliuṭă’s conclusion points toward the first two options, whereas the bulk of the article supports the third. The abstract refers to “interactions with various ideologies … ideological and professional reconversions, and … ability to survive when confronted with various totalitarian challenges” (101). Unfortunately, Biliuṭă’s close analysis does not continue beyond 1945, and we are left wondering about the nature of Stan’s own reconversion as well as the “agendas” that made Orthodox clergy “eager to collaborate with any political regime” (123).

Despite these unanswered questions, Biliuṭă’s article makes an important contribution to contemporary Romanian church history. Although it was the Securitate that initially “imposed a conspiracy of silence on the Fascist history of the Orthodox Church,” ecclesiastical historians of the post-communist era have perpetuated the cover-up (124). Biliuṭă intends to set the record straight, and in that respect he is successful.

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Article Note: Thomas J. Kehoe, “The Reich Military Court and Its Values: Wehrmacht Treatment of Jehovah’s Witness Conscientious Objectors”

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

Article Note: Thomas J. Kehoe, “The Reich Military Court and Its Values: Wehrmacht Treatment of Jehovah’s Witness Conscientious Objectors,” Holocaust and Genocide Studies 33, no 3 (2019): 351-371.

By Doris L. Bergen, University of Toronto

Thomas Kehoe’s article treats a long-neglected subject: the punishment of Jehovah’s Witnesses who refused to serve in the German military during World War II. Using the records of the Reich military court, which only came to light in the early 1990s, Kehoe finds that 408 Jehovah’s Witness conscientious objectors were convicted of Wehrkraftzersetzung – subverting the war effort. Of those men, 258 were executed. Kehoe puts these numbers into perspective by pointing out that Jehovah’s Witnesses made up 96% of the men sentenced to death by the Reich military court, although they constituted only 14% of the cases of subversion. Why was the Reich military court extra punitive toward Jehovah’s Witnesses, Kehoe asks? And why did it, nonetheless, not impose a death sentence in every case? In fact, he shows, all 150 convicted Jehovah’s Witness men who recanted received lesser sentences from the court.

Kehoe’s explanation involves two related points. First, he emphasizes that the court was guided by military priorities and the “necessities of war.” Second, he maintains that the subordination of justice to the command structure had its roots not in Nazism but in Prussian military tradition.  Kehoe rejects legal positivist claims that judges were forced or duped into toeing the Nazi line. To the contrary, he suggests the difference in treatment of Jehovah’s Witnesses from others charged with the same offence shows that the military court had significant discretion. However, Kehoe also questions a simple argument of complicity: if members of the highest military court shared Nazi ideological goals across the board, why would they not have executed all of the Jehovah’s Witnesses convicted as conscientious objectors? Because their goal was to maximize Germany’s fighting force, Kehoe concludes, it made sense to come down hard on “intransigent” Jehovah’s Witnesses but to back off in cases where men agreed to recant.

Kehoe’s analysis is persuasive but could be deepened by paying more attention to the wider social, religious, and political contexts. For instance, how did military judges view Jehovah’s Witnesses? The court presumably intended its decisions to send a message not only to condemned men themselves but to all soldiers and members of their families and communities. Death sentences conveyed the regime’s zero tolerance for refusal to perform military service. Yet the National Socialist regime was acutely aware of public opinion and always hit the most vulnerable targets first. Murder of disabled people began with those who were already isolated and marginalized. Although sex between men was subject to severe penalties, including death sentences, the men who most heavily punished were invariably unpopular outsiders. Could a similar logic have been at play with Jehovah’s Witnesses, who could be held up as a negative example without authorities, including military officers, having to worry that there would be backlash?

In his conclusion, Kehoe calls for more comparative studies of military courts and their treatment of supposed internal enemies. This idea is to be welcomed. Even within the context of Nazi Germany, some intriguing comparisons come to mind. One might be to examine Jehovah’s Witnesses together with German Jewish men, who were excluded from military service in 1935. Another would be to compare Jehovah’s Witnesses with Mennonites, none of whom were executed as conscientious objectors in Nazi Germany, or with the handful of mainstream Christian conscientious objectors, the most famous of whom, Franz Jägerstätter, has meanwhile been beatified and is now the subject of an acclaimed movie directed by Terrence Malick (A Hidden Life, 2019). Kehoe deserves credit for starting the conversation and for bringing the names of some Jehovah’s Witnesses, who were killed for refusing to serve in the Wehrmacht, to the attention of people outside their immediate family and faith communities.

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The German Bishops in the World War: The English Text

Contemporary Church History Quarterly

Volume 26, Number 3 (September 2020)

The German Bishops in the World War: The English Text

In the March 2020 issue of Contemporary Church History Quarterly, we featured two analyses of the German Bishops Conference statement, “Deutsche Bischöfe im Weltkrieg. Wort zum Ende des Zweiten Weltkriegs vor 75 Jahren,” by Olaf Blaschke and Mark Edward Ruff. In the meantime, the German Bishops Conference has published an official English translation of the statement, entitled The German Bishops in the World War: Statement on the end of the Second World War 75 years ago. For those who would like to read the statement in full, it is available here: https://dbk.de/fileadmin/redaktion/diverse_downloads/presse_2020/2020-04-29_DB_107_Englisch.pdf.

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